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Private Collecting and Public Display: Art Markets and Museums

March 30, 2017 - March 31, 2017
School of Fine Art, History of Art and Cultural Studies, University of Leeds

University Road
Leeds
United Kingdom

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The Centre for the Study of the Art and Antiques Market is delighted to 
announce that registration is now open for an international two-day 
conference exploring the relationship between the ‘private’ and 
‘public’ spheres of the art market and the museum. This 
interdisciplinary conference offers the opportunity to hear new 
research in the fields of art market studies, museum studies and the 
histories of collecting. For any further information please contact the 
Centre on csaa@leeds.ac.uk  
 
Keynote Speaker: Dr. Susanna Avery-Quash, Senior Research Curator 
(History of Collecting) at the National Gallery, London

Provisional Programme:
 
Thursday 30 March
 
9 - 9.30 am     
Conference Registration
 
9.30 am           
Welcome
Dr Mark Westgarth, Director Centre for the Study of the Art & Antiques 
Market University of Leeds
 
9.45 am           
Panel I: Birth Of The Museum
 
Dr Marie Tavinor (Christie’s Education, London)
The ‘Potent Tate’ And The Founding Of The Tate Gallery: An Insight Into 
Taste And The Politics of Donation in Late Victorian England
 
Margaraet Iacono (The Frick Collection, New York)
Going Public: The Frick Collection’s Transformation From Private Home 
To House Museum
 
Helen Glaister (Victoria & Albert Museum, London)
From Buxted Park To South Kensington & Beyond: The Ionides Collection 
Of Chinese Export Porcelain
 
11.00 am         
Coffee & Tea
 
11.30 am         
Panel II:  Legacy Through Display: From Private To Public
 
Nicole Cochrane (University of Hull, UK)
Ancient Sculpture And The Narratives Of Collecting: (Re)Contextualizing 
Museum Space
 
Alison Clarke (University of Liverpool, UK / National Gallery London) 
Pure Eighteenth-Century Art Unspoiled By Any Element Foreign To Its 
Nature: The Agnew’s Exhibitions Of The Frick Fragonards
 
Isobel MacDonald (University of Glasgow, UK / The Burrell Collection) 
Tracing The Development Of The Burrell Collection From Deed Of Gift 
(1944) To Pollok Park, Glasgow (Present Day)
 
12.45 pm         
Lunch
 
1.45 pm           
Panel III:  Dealers & Markets: Thinking Of The Past, Looking Towards 
The Future
 
Pamella Guerdat (University of Neuchatel, Paris) 
A Heritage Under Construction: René Gimpel’s (1881-1945) Roles Between 
Private Collectors And Public Museums
 
Ana Mântua (Dr Anastácio Gonçalves House Museum, Lisbon) 
One Man’s Choices And The Portuguese Art Market, 1925 – 1965
 
Joint Paper: Kerry Harker & John Wright (University of Leeds, UK)
Blurring The Boundaries: Reconsidering 'Public' And 'Private' In The 
Alternative Art Market Activities Of Artist-Led Groups, Organisations 
And Collectives
 
3.00 pm           
Panel IV: Power, Influence & Agency: A Critical Look At Private 
Collections Going Public
 
Dr Pier Paolo (IES Abroad Italy, Rome)
From Objects Of Devotion To Icons Of Beauty: The Institution Of The 
National Museum In The Vatican At The Time Of The Roman Republic 
(1798-99)  
 
Verda Bingol (Istanbul Technical University, Turkey)
From The Cradle To The Museum: The Elgiz Collection
 
Dr Dorothy Barenscott (Kwantlen Polytechnic University Vancouver, 
Canada)
Steve Wynn: Art Collecting And Exhibition, ‘Vegas Style’
 
4.15 pm           
Coffee & Tea  
 
4.45 pm           
Keynote Address
Dr Susanna Avery-Quash, Senior Research Curator  (History of 
Collecting)  National Gallery, London
 
            
Friday 31 March
 
9 - 9.30 am     
Conference Registration                                
 
9.40 am           
Panel V: The Visibility Of Private Collections Within The Public Arena
 
Dr Marcela Drien (Universidad Adolfo Ibáñez, Chile) 
Exhibiting Domestic Museums- Chilean Art Collectors At Santiago's 
Exposicion Internacional Of 1875
 
Dr Rasmus Kjaerboe (Ribe Art Museum, Denmark)
Collecting to be modern: The early twentieth century art collections of 
Prince Eugen, Ernest Thiel And Klas Fåhraeus

Dr Kathryn Brown (University of Loughborough, UK) 
Patrimony and Patronage: Collecting and Exhibiting Contemporary Art in 
France
 
11.00 am         
Coffee & Tea
 
11.30 am         
Panel VI: Museum Quality? Deaccessioning Museums Onto The Art Market
 
Gareth Fletcher (Sotheby's Institute of Art, London)
But Is It Really Museum Quality? – Evaluating The Impact Of 
Institutional Provenance Within The International Art Market
 
Dr Nicola Sinclair (University of York, UK)
‘You Have Culled One Or Two Beauties But The Memorial Of Art Is Gone’: 
How (Not) To Translate Paintings Of Historical Value From Private To 
Public Collections And Back Again In Mid-Nineteenth-Century Britain.
 
Martin Hartung (ETH Zürich, Switzerland)
A Philanthropic Legacy: The Controversial Case Of DIA In New York
 
12.45 pm         
Lunch
 
1.45 pm           
Panel VII: Private Collections & Public Museums: Working Across 
Boundaries
 
Dr Kate Beats (University of Cambridge, UK)
Cambridge’s First Museums: The Private College Collections Behind The 
Public Museums In Cambridge
 
Helen Ritchie (Fitzwilliam Museum, Cambridge, UK)
The Frua-Valsecchi Collection At The Fitzwilliam Museum: A Case Study
 
Tom Boggis (Holburne Museum, Bath, UK)
Public Collection, Private House: Display Of The Heveningham Furniture 
Collection In The 20th Century
 
3.00 pm           
Coffee & Tea
 
3.30 pm           
Round Table Discussion
TBC
 
5.00 pm           
Closing Remarks
 
5.15pm            
Close

Registration is now open at  www.csaam.leeds.ac.uk 
Costs: £40.00

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March 20, 2017, 9:00am BST

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